When Simon asked me if I could read his novel, I suspect he thought I would either A) say I would read it then never get around to it, or B) read it, send him a few thoughtful paragraphs and be done with it. Ha! Jokes on you Mr. Fairbanks! There’s nothing I love more than taking a red pen to the book of someone I know and then bombarding them with my “helpful” “constructive” “criticism.” (Seriously. Just ask my mother. No bond is too sacred to escape my frenetic enthusiasm for improvement.) It’s especially satisfying when that person is also the first place winner of the collaborative novel competition, Ten to One, that I participated in over the last eighteen months.
Now, as an American, I have been brainwashed since infancy to settle for nothing less than completely crushing the competition; because I came in second behind Simon, reading The Sheriff could have provided just the balm my ego needed. It could have served as my moment of triumph – a chance to tear his writing apart and reveal my own superiority! It occurred to me, of course, as I was reading (and enjoying) his entire novel in one day, that if he turned out to be a terrible writer, that would be a real blow to the self-esteem…so it’s actually for the best that after I was finished, I was hoping he had a sequel planned. (He set it up for a sequel, and it’s cruel to set a reader up for a sequel and then not provide one Simon.)
As it happened, I did write him an email immediately upon finishing the book. Mainly, I needed to figure out why he’s so obsessed with clowns. (His character in Ten to One was a clown and the God-like figure in The Sheriff was a clown. Are they one and the same? Is there even such a thing as clowns (plural) or is there just the one clown with many faces? Does his fixation stem from a childhood obsession? Too many viewings of that episode of The Simpsons when Bart had that clown bed? Or possibly just one extremely traumatic viewing of Killer Clowns from Outer Space?) You’ll be shocked to hear that he was much more interested in my other thoughts about the book. I got zero answers to my clown inquiries. I’m sure that has has nothing to do with the fact that the clown in The Sheriff played a minor role in the story and everything to do with him belonging to a society of clowns with a strict code of secrecy.
Personally, I find the idea of a clown with the power to turn the clouds into a refuge for tribes of magical beings fleeing the earth to be terrifying. Clowns are scary enough without fantastical powers, but I can’t argue with the results. I loved that all manner of creature could be living up above us and that, if discovered, would be part of an air-bound war between the people of earth and those flying high above. I also thought the payoff regarding the Sheriff and his deputy was ingenious, and I don’t use that word lightly (especially when it comes to my former nemesis). One of his reveals was so lovely it’s actually quite difficult for me not to spoil it. I won’t, of course. We’re very anti-spoiler here on the internet…
Essentially though, in this one book, he manages to in squeeze in clowns, misunderstood villains, comedic violence, less comedic violence that sneaks up and tears out a little piece of your heart, cheeky old folks, red headed brothers, and worthwhile spoilers. Since I will read just about anything with heroic red heads and back-talking geriatrics, I was well and truly taken. I am, however, first in line with a red pen to get my hands on a draft of the sequel. Sweet victory, I await!
For more about (my friend and very good sport) Simon Fairbanks, head over here.