You Are Here: An Owner’s Manual for Dangerous Minds, Jenny Lawson

I’ve been reading The Bloggess (aka Jenny Lawson) for years now. My friend and I have even done our own dramatic readings of various passages from her blog (mostly to delight/terrify the kids in the youth group we were leading at the time). She is hilarious, irreverent, and even in the throes of her own not infrequent physical and mental pain, dedicated to the message the Depression Lies.  Her newest book, You Are Here, is a testament to that idea, and to the possibility that the coping mechanism a person privately uses to keep themselves alive might speak to a wider audience.

you-are-here-jenny-lawsonFor Lawson, her anxiety and depression are so severe that she often must keep her hands busy to prevent them from, in her own words, destroying her. She recognizes that she is her own most dangerous and unpredictable foe, and to combat her body’s desire to hurt itself, she draws. Her pen and ink sketches are as intricate and lovely as they are inspiring. In the year before this book became a reality, Lawson had shared a few of her drawings with her online audience and was surprised by how well-received they were. People were coloring them in and then sharing them back to the community, and each individual take on the original was a mini masterpiece in its own right – a whisper into the void of mental and physical illness that declared I am (still) here.

The drawing below is one of my favorites. Before I had time to read the whole book, I was looking through the pictures with my son, and we stopped on this because he’s obsessed with dandelions. He loves all things yellow, but especially flowers, and the weeds we find on our daily walks – the dandelions and the California bush poppies – are his favorites. He’s quite good at miming the blowing of dandelion seeds, although he’s neither dexterous enough to pick them from the dirt himself or breathy enough to dislodge any of the pods without the help of his fingers. Nevertheless, he doesn’t get tired of pointing out the fields of them growing near our house or watching when I pick one out to blow on.

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I always thought I’d like to be a dandelion – those vivid yellow flowers that bloom in the cracks of sidewalks or abandoned lots. Anything that thrives in such strange, broken places holds a special kind of magic. It shines bright and golden for a moment before it withers, but then – when most have given it up for dead – it explodes into an elaborate globe of spiderweb seedlings so fragile that a wind or a wish sends it to pieces.

But the falling apart isn’t the end.

It depends on the falling apart.

Its fragility lets it be carried to new places, to paint more gold in the cracks.

I always thought I’d like to be a dandelion.

But I think, in a way, I already am. (p 59)

This book really found me at the right time. The last few months have been an onslaught of phone calls with friends who have received unexpected and advanced cancer diagnoses, unusual and unresolved test results for all manner of terrible health crises, and my own exhaustion/insomnia cycle that inevitably rears its head when I start to feel powerless to help the people I care about. It hasn’t made for the best start to the year, but reading this book and studying the images that literally saved the life of a person I greatly admire has been a powerful reminder. It’s not that the world is always good, or fair, or easy, but that each person in it – even those who seem beyond saving, or who sometimes wish they were beyond saving – have a place, a purpose, a unique voice capable of remarkable insight and empathy.

Today I changed everything.

Today I took a shower.

Today I kept breathing.

Circle any of the above that apply. They are all a celebration, y’all. (p 138)

Should I Still Wish, John W. Evans

I don’t know how the heart makes decisions. Maybe love is something born again in different bodies so it can keep moving forward. (loc 819)

It’s hard to write about a friend’s grief. John and I are not close, but I see him with his family often enough. His youngest son and mine went to daycare together for a few months. Practically a year before that, we were at a barbeque together in my neighbors yard, and all the boys – his three, our neighbors’ two – were running and screaming while the adults ate outside, me casting an ever watchful eye on the tiniest member of the wolf pack, who chose the moment right after my first bite to fill his entire bouncer seat with the kind of mess only the keepers of a bunch of boys could raise a glass of wine to, and laugh at.

51y1utsranl-_sx322_bo1204203200_He’s that kind of friend – a person I see at birthday parties and on Halloween, or occasionally when he’s picking up his kids from his mother-in-law, who lives just three houses down from us. I probably know her better than him now, since she often welcomes my wandering son into her home, overflowing, as it is, with her easy-going love and an abundant collection of dump trucks and stuffed animals. We don’t share close confidences or go on vacations together, but I enjoy both the John I see at the park or in an overcrowded kitchen and the one I encounter on the page. The one is boisterous and quick-witted, the other, neurotic and searching. When we stop to chat, he is confident – simultaneously the brilliant Stanford lecturer and the father of three bright, energetic boys. He is only overshadowed by his wife, who is one of the most straightforward people I’ve ever met. It’s hard to imagine her functioning at any level below excellence, and yet she makes me laugh and feel immediately comfortable and happy, a genetic disposition I envy, since I’m more likely to identify with the pen and ink sketches of John’s anxiety than with Cait’s welcoming competence.

Reading this book was an exercise for that anxiety. I simultaneously loved it and couldn’t stop thinking about whether I was intruding. Who am I to know how he and Cait fell in love, or how, eight years on, he feels when he has to enter the woods? Not a stranger, to enjoy the rise and fall of intermingled grief and joy from a distance, nor a close friend, who might already know these vulnerabilities scrawled so gorgeously across the page. I am in between. I think too much about it, and it makes me laugh because the John contained in these pages thinks too much too.

I suspect that people who know him better might gently urge that he live a little more in the moment, and that both of the women he loves, his first wife and his second, would not hold him accountable for either the highs or the lows he experiences. Such is the blessing of being loved by a non-writer. I can’t speak for painters or dancers or cinematographers, or their partners, but we writers are, in general, an overanalyzing breed. We run the bad connections on repeat as much as the good, our brains searching for what we missed, what we destroyed, what we could have done to make our lives easier.

My sister-in-law, a neuroscience post-doc, once simplified the science of it for me. She said, “You’re making the connections stronger, you know. Every time you rethink the memories, bad or good, you’re building them up.” And after that, I started a meditation practice for when the past crept up on me. I would instead imagine relentlessly a tree, or an expanse of sand, or a curled wave, until the urge to flagellate myself, or wallow, passed.

This works for me because I need it to – I need to live mostly on the peaks or trails right now, because becoming a mother has made my already thin skin translucent when it comes to the valleys of the world. There’s no room to punish myself for not knowing how to live perfectly in the past when the world is presenting, on a daily basis, a pain and degradation I could hardly have imagined even six months ago.

This spring, my son’s brother will be born into a different world, one overflowing with stories of grief rather than reconciliation – of John on the mountaintop paralyzed by tragedy instead of John on a street corner, raising signs of tolerance with his children and wife. We need both stories to remind us, however hard it may be, that we’re alive. Not every person we’ve loved, or every person who deserves to be, but us. We are here. We are a collection of the tragedies and exultations of existence. We are carved from the pain into a call for compassion, and we might fail a thousand times at joy, but it still exists, if we wish it.

Love Warrior: A Memoir, Glennon Doyle Melton

In the United States, we celebrate Thanksgiving today. For some people, that means a day of cooking, of family, of love or drama or both. For others, it’s incredibly lonely, whether they’re surrounded by people or not. Some will gorge themselves and watch football. Others will go hungry, or be forced to work at Black Friday sales that have bled over to the holiday. Some will be filled with gratitude while others are angry, frustrated, hurting.

love-warrior-fullc1There is no day, holiday or otherwise, with the overarching power to bring joy to all. Life isn’t like that. It isn’t fair. It doesn’t dole out goodness because the calendar demands it. That’s why – regardless of circumstance – we can all use a little of Glennon Doyle Melton’s wisdom today.

This is a gentle reminder that love and pain and grief are bundled together, that they are meant to coexist, and that you are not irredeemable if you feel more of the pain than you do the love right now. You are not broken. You are a warrior.

Fight on.

What my friends didn’t know about me and I didn’t know about my daughter is that people who are hurting don’t need Avoiders, Protectors, or Fixers. What we need are patient, loving witnesses. People to sit quietly and hold space for us. People to stand in helpless vigil to our pain.

There on the floor, I promise myself that I’ll be that kind of mother, that kind of friend. I’ll show up and stand humble in the face of a loved one’s pain. I’ll admit I’m as empty-handed, dumbstruck, and out of ideas as she is. I won’t try to make sense of things or require more than she can offer. I won’t let my discomfort with her pain keep me from witnessing it for her. I’ll never try to grab or fix her pain, because I know that for as long as it takes, her pain will also be her comfort. It will be all she has left. Grief is love’s souvenir. It’s our proof that we once loved. Grief is the receipt we wave in the air that says to the world: Look! Love was once mine. I loved well. Here is my proof that I paid the price. So I’ll just show up and sit quietly and practice not being God with her. I’m so sorry, I’ll say. Thank you for trusting me enough to invite me close. I see your pain and it’s real. I’m so sorry.

The Journey of the Warrior. This is it. The journey is learning that pain, like love, is simply something to surrender to. It’s a holy space we can enter with people only if we promise not to tidy up. So I will sit with my pain by letting my own heart break. I will love others in pain by volunteering to let my heart break with theirs. I’ll be helpless and broken and still— surrendered to my powerlessness. Mutual surrender, maybe that’s an act of love. Surrendering to this thing that’s bigger than we are: this love, this pain. The courage to surrender comes from knowing that the love and pain will almost kill us, but not quite. (p. 206)

The Accidental Terrorist, Confessions of a Reluctant Missionary, William Shunn

Over the month I took to read this book, I recommended it to twelve people. My husband was the first, and he’d finished it before I got through the third chapter. Two of the people I told were former Mormons themselves, and they not only wanted a copy but also told me they were going to pick it up for a few of their family members and friends back in Utah. The fact that I spread the word far and wide makes an odd kind of sense given this was the memoir of a questioning young man striking out on his mission in the great white north.

accidental-750pxI grew up with several Mormon friends (the Church of Latter Day Saints shared a parking lot with my high school, so we had maybe more than the average number of Mormon students for a small town in New Hampshire). Every single one of them could be described as the nicest person I ever met. Unfailingly friendly, kind, and considerate, I was never prosthelytized to or even subject to any conversation about God while with them.

Looking back, I don’t know whether it’s just that teenagers – even those growing up in a religion that expects generous time to be spent on the topic of conversion – just want to blend, to survive those four years without being labeled or judged, or if it’s that the specific people who would be friends with me were a little less devout. All I knew about them then was that we had fun goofing around in class and at play practices, and that they belonged to a church that required a lot more time than mine did.

It wasn’t until I started reading this book that I had any real concept of the history of the Mormon church. Shunn’s perspective is fascinating because he grew up loving and fearing his religion in equal measure. He had a great respect for those in authority and accepted the lessons he was taught until adulthood. I suspect that some of the information he shares in the book is considered sacred to Mormons, and his writing about it prompted a two-fold reaction in me.

On the one hand, I was incredibly curious about the secret rituals of the church. Ever since I first went to a service with one of my best friends, who’s Greek Orthodox, and was told women were never permitted to go behind a certain screen in the sanctuary, I’ve known I have an obsession for peeking behind the curtain. What could possibly be so sacred? A part of me burns to know, I’m sure in part because my own church is the complete opposite – everything on the table, free to access for anyone regardless of where they might be on their journey with God.

On the other hand, I have a deep respect for all religions, and although I don’t agree with every element of every faith, I do believe people have a right to practice with a sense of safety. People should be able to relax into their faith, to feel secure enough that they can explore a relationship with God, if they so choose. To make naked another faith against the will of its members makes me uncomfortable.

Shunn does an admirable job of balancing this, at least for me. That being said, I’m not a Mormon and have no concept of the history or tenets taught to members, so I recognize that I’m speaking about this as a wholly unaffected outsider. In that position, I found both his personal journey and the extensive history of the church and its founders to be fascinating. He pokes a little fun at the forefathers of the church but is respectful of his contemporaries. Both his story and Joseph Smith’s were absolutely captivating, and I intentionally only allowed myself to read a bit at a time so I could process what I was learning.

I realize it would be in poor taste to make a joke about bringing this book from door to door, but it’s truly been impossible not to want to share it with as many people as I can. If you’re looking for a book to rev up for fall after an indulgent summer, this is it.

Brown Girl Dreaming, Jacqueline Woodson

My theme this spring has apparently been “start great books I don’t have time to finish,” and Brown Girl Dreaming is no exception. This was a gift from my mother-in-law at Christmas, and although I started it over a month ago, it’s too beautiful to rush through. This hardcover has come with me for a much needed haircut, in the stroller to the park, and out to the grill when I was supposed to be keeping an eye on the food, and that’s saying something since I’m much more accustomed to making use of the Kindle app on my phone.

51-pl9bj7il-_sx331_bo1204203200_Written in free verse, Woodson’s perfectly paced memoir is exquisite. Having put together my own memoir in verse a few years ago, I recognize how difficult it is to make every piece as strong as the previous one, and she puts my meager efforts to shame. How she does it – I can only imagine how much work went into telling this story. How she must have agonized and organized and overwritten in order to eventually prune down to this one exceptional volume.

When it comes to books like this, it’s hard not to get lost in considering the craft behind it. In some cases, peering behind the curtain might mean a book is lacking in some way – the reader is distracted by all the bells and whistles – but in this case, it’s more like examining a butterfly’s wings. The detail makes the experience richer. Woodson’s technique is fascinating, and I want to both bathe in it and somehow make it my own.

Her experiences growing up both in the north and the south also give her a unique perspective on the racial tension that was exploding across the country then, and which we still feel the effects of today. I only hope this book makes it onto reading lists in schools every year, because when I was a child, I had the privilege of thinking this discussion was only a part of history, when my friends and classmates knew differently, from experience.

Woodson writes her truth in a way that is accessible and beautiful. Her story is one children can both enjoy and understand from a young age. For an older audience, it’s a wonderful jumping off point for challenging conversations about discrimination in this country while encouraging hope and love as the bedrock on the path to justice.

South Carolina at War

Because we have a right, my grandfather tells us-
we are sitting at his feet and the story tonight is

why people are marching all over the South-

to walk and sit and dream wherever we want.

First they brought us here.
Then we worked for free. Then it was 1863,
and we were supposed to be free but we weren’t.

And that’s why people are so mad.

And it’s true, we can’t turn on the radio
without hearing about the marching.

We can’t go to downtown Greenville without
seeing the teenagers walking into stores, sitting
where brown people still aren’t allowed to sit
and getting carried out, their bodies limp,
their faces calm.

This is the way brown people have to fight,
my grandfather says.
You can’t just put your fist up. You have to insist
on something
gently. Walk toward a thing
slowly.

But be ready to die,
my grandfather says,
for what is right.

And none of us can imagine death
but we try to imagine it anyway.

Even my mother joins the fight.
When she thinks our grandmother
isn’t watching she sneaks out
to meet the cousins downtown, but just as
she’s stepping through the door,
her good dress and gloves on, my grandmother says,
Now don’t go getting arrested.

And Mama sounds like a little girl when she says,
I won’t.

More than a hundred years, my grandfather says,
and we’re still fighting for the free life
we’re supposed to be living.

So there’s a war going on in South Carolina
and even as we play
and plant and preach and sleep, we are a part of it.

Because you’re colored, my grandfather says.
And just as good and bright and beautiful and free
as anybody.
And nobody colored in the South is stopping,
my grandfather says,
until everybody knows what’s true.

Desert Solitaire: A Season in the Wilderness, Edward Abbey

A man could be a lover and defender of the wilderness without ever in his lifetime leaving the boundaries of asphalt, powerlines, and right-angled surfaces. We need wilderness whether or not we ever set foot in it. We need a refuge even though we may never need to set foot in it. We need the possibility of escape as surely as we need hope; without it the life of the cities would drive all men into crime or drugs or psychoanalysis. (p 162)

desert20solitaireI very rarely review books here before I’ve finished them. A couple of years ago, I read a few novels and posted multi-day reviews of them, but in general, I make it a practice to read first, review later. This isn’t particularly difficult to accomplish because I derive an almost obscene pleasure out of completing tasks before the deadline. It satisfies a part of me that is just on the edge of obsessive compulsive to do so, and writing about Desert Solitaire before I’ve finished it has the opposite effect. I’m antsy, frustrated, distracted by the fact that I don’t have time to finish one item on my agenda before moving on to the next.

Occasionally when this happens, I choose to post about a poem. However, given that I’m neck deep in edits for my own novel, as well as editing a resource book for Pilgrim Press that has seventy contributors, I foresee a few poem Thursdays on the horizon strictly by necessity, and I don’t want to pass up an opportunity to talk about this glorious book. Written in the sixties, Abbey spent a year as a park ranger in Arches National Park in Utah, and this is his luxurious memoir about those months.

I visited Arches with my husband a year and a half ago, and when I heard about this book over Christmas break, I asked for a copy from my father-in-law (my Southwest wilderness expert). He obliged, and then life got busy, and I forgot all about it until I was back east in March and saw that my brother also owned the book. I borrowed his, brought it all the way home, and then remembered I had the book on my kindle, which is where I’ve been reading it every night as I wait for my son to fall asleep.

Once inside the trailer my senses adjust to the new situation and soon enough, writing the letter, I lose awareness of the lights and the whine of the motor. But I have cut myself off completely from the greater world which surrounds the man-made shell. The desert and the night are pushed back—I can no longer participate in them or observe; I have exchanged a great and unbounded world for a small, comparatively meager one. By choice, certainly; the exchange is temporarily convenient and can be reversed whenever I wish.

Finishing the letter I go outside and close the switch on the generator. The light bulbs dim and disappear, the furious gnashing of pistons whimpers to a halt. Standing by the inert and helpless engine, I hear its last vibrations die like ripples on a pool somewhere far out on the tranquil sea of desert, somewhere beyond Delicate Arch, beyond the Yellow Cat badlands, beyond the shadow line.

I wait. Now the night flows back, the mighty stillness embraces and includes me; I can see the stars again and the world of starlight. I am twenty miles or more from the nearest fellow human, but instead of loneliness I feel loveliness. Loveliness and a quiet exultation. (p 16)

Having grown up in the northeast, I was completely unprepared for how much I would love the west, the southwest, the northeast. Friends are always asking when I’ll move “home” to the quaint steepled towns of New England, and although a part of me will always treasure the years I spent exploring streams that flowed beneath covered bridges and forests broken up by old stone walls, my heart found its home under the huge wild skies of California and Colorado and Oregon. The canyon lands of Utah, the sacred responsibility that comes of making camp deep in the Grand Canyon, the rivers and rapids and stone of our country’s backyard – those are the haunts that beckon to me now.

Reading Abbey’s book – its blend of journal and myth – reminds me of how alive I feel just knowing that a place like Arches exists. His opinions and mine don’t always overlap, but it is a privilege to see the land through his eyes. I cannot rush through his journey any more than he could slow or speed up time that year, and I wouldn’t want to. Half a chapter at a time is as sweet to savor as water in his desert. I only hope I can make it last until my own thirst for the out of doors can be quenched with a beautiful adventure.

Has joy any survival value in the operations of evolution? I suspect that it does; I suspect that the morose and fearful are doomed to quick extinction. Where there is no joy there can be no courage; and without courage all other virtues are useless. (p 158)

 

Furiously Happy: A Funny Book About Horrible Things, Jenny Lawson

And then, at four a.m. I decided that the only thing that would cure my insomnia/ anxiety would be a long walk. In the snow. I pulled a coat on over my nightgown, slipped on my flats, and went downstairs. My foot was killing me as I tiptoed outside, nodding quietly to the confused man at the night desk, who looked puzzled to see me leave in my pajamas. Then I walked out into a New York night, which was muffled by snow, a thick white blanketing of powder that not a single person had put a step into. I could hear a drunk yelling for a cab down the street but it was comforting to not be the only person out in that weather. Sure, I was in my pajamas and I had been stabbed in the foot by arthritis, but at least I was mostly sober and not too far from a warm bed.

My foot ached. As I took a step the sharp pain shot all the way up to my spine. And that’s when I just said, “Oh fuck it,” and carefully stepped out of my shoes into the gleaming white snow.1005_furiously-happy

It was freezing, but the cold effortlessly numbed my feet and aching hands. I walked quietly, barefoot, to the end of the block, leaving my shoes behind to remind me how to find my way home. I stood at the end of the street, catching snow in my mouth, and laughed softly to myself as I realized that without my insomnia and anxiety and pain I’d never have been awake to see the city that never sleeps asleep and blanketed up for winter. I smiled and felt silly, but in the best possible way.

As I turned and looked back toward the hotel I noticed that my footprints leading out into the city were mismatched. One side was glistening, small and white. The other was misshapen from my limp and each heel was pooled with spots of bright red blood. It struck me as a metaphor for my life. One side light and magical. Always seeing the good. Lucky. The other side bloodied, stumbling. Never quite able to keep up. (loc 833-846)

Jenny Lawson, better known across the internet as The Bloggess, has been a hero of mine for many years nows. Online, she has long been known as a beacon of hope, insanity, laughter and truth to a proudly peculiar tribe of people. I read her blog faithfully, content to follow along as she writes about everything from the effect depression and chronic pain have on her, to a life-long love of crazily taxidermied animals, to the outrageous “arguments” she has with her husband Victor.

She is one of only a handful of people who can make me laugh to tears (and not occasionally – a few times a month, at least). Lawson is also an incredibly brave and vulnerable writer, and her ability to open up discussions about topics often deemed shameful by polite society has saved lives. I loved her first book, but there’s no doubt she has only gotten better with this second one.

Her epic ability to weave her life stories into a book that speaks to its readers on so many levels is undeniable. Instead of sugarcoating her own struggles, she presents them bare faced – half the time as jester, the other half as bedraggled seer – recognizing that many readers will walk away from her book feeling more known than they ever have before.

Her life has been anything but easy, and although she has achieved fame and fortune she probably never imagined, Lawson hasn’t lost her perspective in the least. She’s still a friend to hurting souls who need a place to lay down their burdens and laugh for awhile. She’s still a person who understands intimately just how heavy those burdens can be. She’s still a treasure to those of us driven to speak about the unspeakable.

Do you know about the spoons? Because you should.

The Spoon Theory was created by a friend of mine, Christine Miserandino, to explain the limits you have when you live with chronic illness. Most healthy people have a seemingly infinite number of spoons at their disposal, each one representing the energy needed to do a task. You get up in the morning. That’s a spoon. You take a shower. That’s a spoon. You work, and play, and clean, and love, and hate, and that’s lots of damn spoons … but if you are young and healthy you still have spoons left over as you fall asleep and wait for the new supply of spoons to be delivered in the morning.

But if you are sick or in pain, your exhaustion changes you and the number of spoons you have. Autoimmune disease or chronic pain like I have with my arthritis cuts down on your spoons. Depression or anxiety takes away even more. Maybe you only have six spoons to use that day. Sometimes you have even fewer. And you look at the things you need to do and realize that you don’t have enough spoons to do them all. If you clean the house you won’t have any spoons left to exercise. You can visit a friend but you won’t have enough spoons to drive yourself back home. You can accomplish everything a normal person does for hours but then you hit a wall and fall into bed thinking, “I wish I could stop breathing for an hour because it’s exhausting, all this inhaling and exhaling.” And then your husband sees you lying on the bed and raises his eyebrow seductively and you say, “No. I can’t have sex with you today because there aren’t enough spoons,” and he looks at you strangely because that sounds kinky, and not in a good way. And you know you should explain the Spoon Theory so he won’t get mad but you don’t have the energy to explain properly because you used your last spoon of the morning picking up his dry cleaning so instead you just defensively yell: “I SPENT ALL MY SPOONS ON YOUR LAUNDRY,” and he says, “What the … You can’t pay for dry cleaning with spoons. What is wrong with you?”

Now you’re mad because this is his fault too but you’re too tired to fight out loud and so you have the argument in your mind, but it doesn’t go well because you’re too tired to defend yourself even in your head, and the critical internal voices take over and you’re too tired not to believe them. Then you get more depressed and the next day you wake up with even fewer spoons and so you try to make spoons out of caffeine and willpower but that never really works. The only thing that does work is realizing that your lack of spoons is not your fault, and to remind yourself of that fact over and over as you compare your fucked-up life to everyone else’s just-as-fucked-up-but-not-as-noticeably-to-outsiders lives.

Really, the only people you should be comparing yourself to would be people who make you feel better by comparison. For instance, people who are in comas, because those people have no spoons at all and you don’t see anyone judging them. Personally, I always compare myself to Galileo because everyone knows he’s fantastic, but he has no spoons at all because he’s dead. So technically I’m better than Galileo because all I’ve done is take a shower and already I’ve accomplished more than him today. If we were having a competition I’d have beaten him in daily accomplishments every damn day of my life. But I’m not gloating because Galileo can’t control his current spoon supply any more than I can, and if Galileo couldn’t figure out how to keep his dwindling spoon supply I think it’s pretty unfair of me to judge myself for mine.

I’ve learned to use my spoons wisely. To say no. To push myself, but not too hard. To try to enjoy the amazingness of life while teetering at the edge of terror and fatigue. (locs 3265-3294)

Honestly, if I were you, I would just head over to her site and drink it all in, and then buy her books and spend the weekend in bed feeling loved and known and crazy in the best possible way.