I don’t know how the heart makes decisions. Maybe love is something born again in different bodies so it can keep moving forward. (loc 819)
It’s hard to write about a friend’s grief. John and I are not close, but I see him with his family often enough. His youngest son and mine went to daycare together for a few months. Practically a year before that, we were at a barbeque together in my neighbors yard, and all the boys – his three, our neighbors’ two – were running and screaming while the adults ate outside, me casting an ever watchful eye on the tiniest member of the wolf pack, who chose the moment right after my first bite to fill his entire bouncer seat with the kind of mess only the keepers of a bunch of boys could raise a glass of wine to, and laugh at.
He’s that kind of friend – a person I see at birthday parties and on Halloween, or occasionally when he’s picking up his kids from his mother-in-law, who lives just three houses down from us. I probably know her better than him now, since she often welcomes my wandering son into her home, overflowing, as it is, with her easy-going love and an abundant collection of dump trucks and stuffed animals. We don’t share close confidences or go on vacations together, but I enjoy both the John I see at the park or in an overcrowded kitchen and the one I encounter on the page. The one is boisterous and quick-witted, the other, neurotic and searching. When we stop to chat, he is confident – simultaneously the brilliant Stanford lecturer and the father of three bright, energetic boys. He is only overshadowed by his wife, who is one of the most straightforward people I’ve ever met. It’s hard to imagine her functioning at any level below excellence, and yet she makes me laugh and feel immediately comfortable and happy, a genetic disposition I envy, since I’m more likely to identify with the pen and ink sketches of John’s anxiety than with Cait’s welcoming competence.
Reading this book was an exercise for that anxiety. I simultaneously loved it and couldn’t stop thinking about whether I was intruding. Who am I to know how he and Cait fell in love, or how, eight years on, he feels when he has to enter the woods? Not a stranger, to enjoy the rise and fall of intermingled grief and joy from a distance, nor a close friend, who might already know these vulnerabilities scrawled so gorgeously across the page. I am in between. I think too much about it, and it makes me laugh because the John contained in these pages thinks too much too.
I suspect that people who know him better might gently urge that he live a little more in the moment, and that both of the women he loves, his first wife and his second, would not hold him accountable for either the highs or the lows he experiences. Such is the blessing of being loved by a non-writer. I can’t speak for painters or dancers or cinematographers, or their partners, but we writers are, in general, an overanalyzing breed. We run the bad connections on repeat as much as the good, our brains searching for what we missed, what we destroyed, what we could have done to make our lives easier.
My sister-in-law, a neuroscience post-doc, once simplified the science of it for me. She said, “You’re making the connections stronger, you know. Every time you rethink the memories, bad or good, you’re building them up.” And after that, I started a meditation practice for when the past crept up on me. I would instead imagine relentlessly a tree, or an expanse of sand, or a curled wave, until the urge to flagellate myself, or wallow, passed.
This works for me because I need it to – I need to live mostly on the peaks or trails right now, because becoming a mother has made my already thin skin translucent when it comes to the valleys of the world. There’s no room to punish myself for not knowing how to live perfectly in the past when the world is presenting, on a daily basis, a pain and degradation I could hardly have imagined even six months ago.
This spring, my son’s brother will be born into a different world, one overflowing with stories of grief rather than reconciliation – of John on the mountaintop paralyzed by tragedy instead of John on a street corner, raising signs of tolerance with his children and wife. We need both stories to remind us, however hard it may be, that we’re alive. Not every person we’ve loved, or every person who deserves to be, but us. We are here. We are a collection of the tragedies and exultations of existence. We are carved from the pain into a call for compassion, and we might fail a thousand times at joy, but it still exists, if we wish it.